CATCH ME IF YOU CAN

CLIENT

Personal Experiment – inspired by the opening sequence of Catch Me If You Can (2002).

BACKGROUND

I wanted to test the boundaries of manual motion in a non-traditional tool. The goal was to rebuild an iconic cinematic title sequence entirely within PowerPoint to study motion physics, rhythm, and sequential storytelling.

WHAT I DID

Analyzed the original animation frame by frame, then recreated over 300 illustrations in Illustrator, animating every movement manually in PowerPoint. Focused on timing, easing, and silhouette motion to preserve the film’s elegance and flow.

RESULT

The final piece became a teaching reference at KPMG for animation techniques and patience in craftsmanship. It demonstrated my passion for cinematic precision, motion rhythm, and storytelling through minimalist design.

SATORP

CLIENT

SATORP (Saudi Aramco Total Refining and Petrochemical Company)

BACKGROUND

The proposal aimed to visualize digital integration across refinery operations. My challenge was to transform dense architectural data into a story of intelligence and connectivity, making abstract systems tangible and memorable to executive audiences.

WHAT I DID

I centered the concept around a microprocessor motif symbolizing interconnected intelligence. Using PowerPoint, Illustrator, and Photoshop, I reimagined the document’s structure from cover to conclusion—creating flowing layouts, infographics, and visual rhythms that mirrored data movement. Collaborated closely with pursuit teams, translating shifting requirements into cohesive visuals that expressed both rigor and innovation.

RESULT

The final 90-page proposal received spontaneous praise during a live review, earning a “double thumbs-up” from a senior partner. It elevated the design benchmark for KPMG’s energy proposals and demonstrated my ability to direct design narratives that simplify complexity through metaphor and motion-inspired composition.